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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 11 Feb 2012 02:00:37 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Grammar and Usage</title><link>http://www.advicetowriters.com/grammar-and-usage/</link><description></description><lastBuildDate>Sun, 09 Aug 2009 05:23:53 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Grammar and Usage</title><dc:creator>[Your Name Here]</dc:creator><pubDate>Sat, 08 Aug 2009 03:07:27 +0000</pubDate><link>http://www.advicetowriters.com/grammar-and-usage/2009/8/7/grammar-and-usage.html</link><guid isPermaLink="false">393820:4482980:4843630</guid><description><![CDATA[<p><span style="font-size: 110%;">&nbsp;</span></p>
<p><span style="font-size: 110%;"><strong>You can be a little ungrammatical if you come from the right part of the country.</strong></span></p>
<p><span style="font-size: 110%;"><strong>ROBERT FROST<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Word has somehow got around that the split infinitive is always wrong. That is a piece with the outworn notion that it is always wrong to strike a lady.</strong></span></p>
<p><span style="font-size: 110%;"><strong>JAMES THURBER</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>It is indeed acceptable practice to sometimes split an infinitive. If infinitive-splitting makes available just the shade of meaning you desire or if avoiding the separation creates a confusing ambiguity or patent artificiality, you are entitled to happily go ahead and split!</strong></span></p>
<p><span style="font-size: 110%;"><strong>RICHARD LEDERER</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>When you catch an adjective, kill it.</strong></span></p>
<p><span style="font-size: 110%;"><strong>MARK TWAIN<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>The adjective is the banana peel of the parts of speech.</strong></span></p>
<p><span style="font-size: 110%;"><strong>CLIFTON FADIMAN<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK5">The adjective is the enemy of the noun.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>VOLTAIRE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK21">If the noun is good and the verb is strong, you almost never need an adjective.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>J. ANTHONY LUKAS<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Don&rsquo;t say it was &ldquo;delightful&rdquo;; make us say &ldquo;delightful&rdquo; when we&rsquo;ve read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers &ldquo;Please will you do my job for me?&rdquo;</strong></span></p>
<p><span style="font-size: 110%;"><strong>C.S. LEWIS</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Forward motion in any piece of writing is carried by verbs. Verbs are the action words of the language and the most important. Turn to any passage on any page of a successful novel and notice the high percentage of verbs. Beginning writers always use too many adjectives and adverbs and generally use too many dependent clauses. Count your words and words of verbal force (like that word &ldquo;force&rdquo; I just used).</strong></span></p>
<p><span style="font-size: 110%;"><strong>WILLIAM SLOANE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>The editorial "we" has often been fatal to rising genius; though all the world knows that it is only a form of speech, very often employed by a single needy blockhead.</strong></span></p>
<p><span style="font-size: 110%;"><strong>THOMAS BAINGTON MACAULAY<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Only presidents, editors and people with tapeworm have the right to use the editorial "we."</strong></span></p>
<p><span style="font-size: 110%;"><strong>MARK TWAIN<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;">&nbsp;</span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>]]></description><wfw:commentRss>http://www.advicetowriters.com/grammar-and-usage/rss-comments-entry-4843630.xml</wfw:commentRss></item></channel></rss>
