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Recommended Books
  • A Dash of Style: The Art and Mastery of Punctuation
    A Dash of Style: The Art and Mastery of Punctuation
    by Noah Lukeman
  • Adventures in the Screen Trade
    Adventures in the Screen Trade
    by William Goldman
  • APE: Author, Publisher, Entrepreneur-How to Publish a Book
    APE: Author, Publisher, Entrepreneur-How to Publish a Book
    by Guy Kawasaki, Shawn Welch
  • A Room of One's Own
    A Room of One's Own
    by Virginia Woolf
  • The Art of Fiction: Illustrated from Classic and Modern Texts
    The Art of Fiction: Illustrated from Classic and Modern Texts
    by David Lodge
  • The Art of Fiction: Notes on Craft for Young Writers
    The Art of Fiction: Notes on Craft for Young Writers
    by John Gardner
  • The Art of the Personal Essay: An Anthology from the Classical Era to the Present
    The Art of the Personal Essay: An Anthology from the Classical Era to the Present
    by Phillip Lopate
  • The Associated Press Stylebook 2009 (Associated Press Stylebook and Briefing on Media Law)
    The Associated Press Stylebook 2009 (Associated Press Stylebook and Briefing on Media Law)
    Basic Books
  • Aspects of the Novel
    Aspects of the Novel
    by E.M. Forster
  • Becoming a Writer
    Becoming a Writer
    by Dorothea Brande
  • Bird by Bird: Some Instructions on Writing and Life
    Bird by Bird: Some Instructions on Writing and Life
    by Anne Lamott
  • Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
    Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
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  • Brewer's Dictionary of Phrase and Fable, Seventeenth Edition
    Brewer's Dictionary of Phrase and Fable, Seventeenth Edition
    by John Ayto
  • The Careful Writer
    The Careful Writer
    by Theodore M. Bernstein
  • The Chicago Manual of Style
    The Chicago Manual of Style
    University Of Chicago Press
  • The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications
    The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications
    by Amy Einsohn
  • The Courage to Write: How Writers Transcend Fear
    The Courage to Write: How Writers Transcend Fear
    by Ralph Keyes
  • The Craft of Fiction
    The Craft of Fiction
    by Percy Lubbock
  • The Editor's Lexicon: Essential Writing Terms for Novelists
    The Editor's Lexicon: Essential Writing Terms for Novelists
    by Sarah Cypher
  • Editors on Editing: What Writers Need to Know About What Editors Do
    Editors on Editing: What Writers Need to Know About What Editors Do
    Grove Press
  • The Elements of Style, Fourth Edition
    The Elements of Style, Fourth Edition
    by William Strunk Jr., E. B. White
  • Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    by Lawrence Grobel
  • Fiction Writer's Handbook
    Fiction Writer's Handbook
    by Hallie Burnett, Whit Burnett
  • Fiction Writer's Workshop
    Fiction Writer's Workshop
    by Josip Novakovich
  • Flaubert's Parrot
    Flaubert's Parrot
    by Julian Barnes
  • Follow the Story: How to Write Successful Nonfiction
    Follow the Story: How to Write Successful Nonfiction
    by James B. Stewart
  • The Forest for the Trees: An Editor's Advice to Writers
    The Forest for the Trees: An Editor's Advice to Writers
    by Betsy Lerner
  • For Writers Only
    For Writers Only
    by Sophy Burnham
  • William Goldman: Four Screenplays with Essays
    William Goldman: Four Screenplays with Essays
    by William Goldman
  • Fowler's Modern English Usage
    Fowler's Modern English Usage
    by the late R. W. Burchfield
  • The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
    by Norrie Epstein
  • A Glossary of Literary Terms
    A Glossary of Literary Terms
    by M.H. Abrams, Geoffrey Harpham
  • How Fiction Works
    How Fiction Works
    by James Wood
  • How Not to Write: The Essential Misrules of Grammar
    How Not to Write: The Essential Misrules of Grammar
    by William Safire
  • How to Get Happily Published
    How to Get Happily Published
    by Judith Appelbaum
  • How to Write Science Fiction and Fantasy (Genre Writing)
    How to Write Science Fiction and Fantasy (Genre Writing)
    by Orson Scott Card
  • How To Write Short Stories: With Samples
    How To Write Short Stories: With Samples
    by Ring Lardner
  • If You Want to Write: A Book about Art, Independence and Spirit
    If You Want to Write: A Book about Art, Independence and Spirit
    by Brenda Ueland
  • Inventing the Truth: The Art and Craft of Memoir
    Inventing the Truth: The Art and Craft of Memoir
    Mariner Books
  • Keep the Aspidistra Flying (Harvest Book)
    Keep the Aspidistra Flying (Harvest Book)
    by George Orwell
  • Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    by Bill Walsh
  • Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
    by Ranier Maria Rilke
  • Making a Good Script Great
    Making a Good Script Great
    by Linda Seger
  • Making a Literary Life
    Making a Literary Life
    by Carolyn See
  • Master Class: Scenes from a Fiction Workshop
    Master Class: Scenes from a Fiction Workshop
    by Paul West
  • Metaphors We Live By
    Metaphors We Live By
    by George Lakoff, Mark Johnson
  • The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
    The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
    by Alice Weaver Flaherty
  • Henry Miller on Writing (New Directions Paperbook)
    Henry Miller on Writing (New Directions Paperbook)
    by Henry Miller
  • Movie Speak: How to Talk Like You Belong on a Movie Set
    Movie Speak: How to Talk Like You Belong on a Movie Set
    by Tony Bill
  • Narrative Design: Working with Imagination, Craft, and Form
    Narrative Design: Working with Imagination, Craft, and Form
    by Madison Smartt Bell
  • New Grub Street (Broadview Editions)
    New Grub Street (Broadview Editions)
    by George Gissing
  • Nonconformity
    Nonconformity
    by Nelson Algren
  • On Becoming a Novelist
    On Becoming a Novelist
    by John Gardner
  • One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    by Eudora Welty
  • On Writing Short Stories
    On Writing Short Stories
    Oxford University Press, USA
  • On Writing: A Memoir Of The Craft
    On Writing: A Memoir Of The Craft
    by Stephen King
  • On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
    by William Zinsser
  • The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
  • Poetic Meter and Poetic Form
    Poetic Meter and Poetic Form
    by Paul Fussell
  • The Paris Review Interviews, Vols. 1-4
    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
  • Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    by Francine Prose
  • The Rhetoric of Fiction
    The Rhetoric of Fiction
    by Wayne C. Booth
  • The Right to Write: An Invitation and Initiation into the Writing Life
    The Right to Write: An Invitation and Initiation into the Writing Life
    by Julia Cameron
  • Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    by Renni Browne, Dave King
  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    by Dan Poynter
  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    by Kitty Burns Florey
  • The Situation and the Story: The Art of Personal Narrative
    The Situation and the Story: The Art of Personal Narrative
    by Vivian Gornick
  • The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
  • Story: Substance, Structure, Style and The Principles of Screenwriting
    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
  • Successful Television Writing
    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury

QUOTE OF THE DAY

Wednesday
Feb082017

Trust Your Reader

Trust your reader. Not everything needs to be explained. If you really know something, and breathe life into it, they'll know it too.

ESTHER FREUD

Tuesday
Feb072017

A Writer Cares What Words Mean

A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well, they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.

URSULA LE GUIN

Monday
Feb062017

Write Every Day

Write every day. Don't ever stop. If you are unpublished, enjoy the act of writing—and if you are published, keep enjoying the act of writing. Don't become self-satisfied, don't stop moving ahead, growing, making it new. The stakes are high. Why else would we write?

RICK BASS

Sunday
Feb052017

Writers Find Their Own Answers

My experience with trying to help people to write has been limited but extremely intensive. I have done everything from giving would-be writers money to live on to plotting and rewriting their stories for them, and so far I have found it all to be a waste. The people whom God or nature intended to be writers find their own answers, and those who have to ask are impossible to help. They are merely people who want to be writers.

RAYMOND CHANDLER

Saturday
Feb042017

You Can’t Write Regularly and Well

You can only write regularly if you’re willing to write badly. You can’t write regularly and well. One should accept bad writing as a way of priming the pump, a warm-up exercise that allows you to write well.

JENNIFER EGAN

Friday
Feb032017

A Writer Can Begin Anywhere

Somewhere in his journals Dostoyevsky remarks that a writer can begin anywhere, at the most commonplace thing, scratch around in it long enough, pray and dig away long enough, and lo! soon he will hit upon the marvelous.

SAUL BELLOW

Thursday
Feb022017

Get Out and See the World

Have adventures. The Hemingway mode was in ascendancy for decades before it was eclipsed by trendy fabulist “exercises.” The pendulum is swinging back, though, and it’s going to knock these effete eggheads right out of their Aeron chairs. Keep ahead of the curve. Get out and see the world. It’s not going to kill you to butch it up a tad. Book passage on a tramp steamer. Rustle up some dysentery; it’s worth it for the fever dreams alone. Lose a kidney in a knife fight. You’ll be glad you did.

COLSON WHITEHEAD

Wednesday
Feb012017

Procrastination Is an Alluring Siren

Procrastination is an alluring siren taunting you to Google the country where Balki from Perfect Strangers was from, and to arrange sticky notes on your dog in the shape of hilarious dog shorts. A wicked temptress beckoning you to watch your children, and take showers. Well, it’s time to look procrastination in the eye and tell that seafaring wench, “Sorry not today, today I write.”

COLIN NISSAN

Tuesday
Jan312017

Writer vs. Author

Sit down and put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it.

COLETTE

Monday
Jan302017

There Are No General Rules

The advantage of reading widely, as opposed to trying to formulate a series of general rules, is that we learn there are no general rules, only individual examples to help point you in a direction in which you might want to go.

FRANCINE PROSE

Sunday
Jan292017

Literature Is Not High School 

Literature is not high school and it’s not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. Check out the bestseller list for April 1937 or August 1978 if you don’t believe me.

REBECCA SOLNIT

Saturday
Jan282017

The Secret of Writing

It's hard to explain how much one can love writing. If people knew how happy it can make you, we would all be writing all the time. It's the greatest secret of the world.

ANDREA BARRETT

Friday
Jan272017

Do Good Work

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, nor who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say.

DAVE EGGERS

Thursday
Jan262017

Write About People You Care About

You want to write about people you care about. You can dress them up any way you see fit. You can slam them together in composites or put knee breeches on them and let them fight in the Revolutionary War, but your characters ought to be some of the ten most important people in your life, or the six most creepy, or you’ll bore the socks off your readers, and yourself as well.

CAROLYN SEE

Wednesday
Jan252017

Never Read Bad Stuff

Never read bad stuff if you're an artist; it will impair your own game. I don't know if you ever played competitive tennis, but you learn not to watch bad tennis; it messes up your game. Art's the same way.

JAMES LEE BURKE

Tuesday
Jan242017

The Reader Will Do Much of the Work

Writers get better at the craft once we learn to assume that the reader will do much of the work for us, filling in the blanks with their own experiences and lives. Plant a few key pieces of evidence, and your reader will dream up the connections.

ROGER ROSENBLATT

Monday
Jan232017

Start with a Hook

A good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.

ROLAND SMITH

Sunday
Jan222017

Even a Great Storyteller Requires Professional Writing Skills

Few writers have what it takes to produce “great writing,” but even a great storyteller requires professional writing skills to get the story across to the reader. The difference between amateur writing and professional writing is rewriting.

MAEVE MADDOX

Saturday
Jan212017

Punctuation Indicates How the Writer Hears the Prose

Punctuation…indicates how the writer hears the prose, as they create it. So I use ellipses, dashes and commas quite a lot, because they express how things sound to me. Exclamation marks convey moments of passionate overemphasis or profound disorder—like someone shouting in public or bursting into tears. So they make things briefly uncomfortable—and then we go on again.

JOANNA KAVENNA

Friday
Jan202017

Writing a Screenplay Is Like Climbing a Mountain

Writing a screenplay is like climbing a mountain. When you’re climbing, all you can see is the rock in front of you and the rock directly above you. You can’t see where you’ve come from or where you’re going.

SYD FIELD