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Recommended Books
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    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
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    Inventing the Truth: The Art and Craft of Memoir
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    Keep the Aspidistra Flying (Harvest Book)
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    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
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    Making a Literary Life
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    Master Class: Scenes from a Fiction Workshop
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    The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
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    Henry Miller on Writing (New Directions Paperbook)
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    New Grub Street (Broadview Editions)
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    Nonconformity
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    On Writing: A Memoir Of The Craft
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    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
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    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
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    Poetic Meter and Poetic Form
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    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
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    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
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    The Rhetoric of Fiction
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    The Right to Write: An Invitation and Initiation into the Writing Life
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    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
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  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
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  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
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    The Situation and the Story: The Art of Personal Narrative
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    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
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    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
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    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury

QUOTE OF THE DAY

Saturday
Aug062016

Three Reasons for Becoming A Writer

There are three reasons for becoming a writer: the first is that you need the money; the second, that you have something to say that you think the world should know; the third is that you can’t think of what to do with the long winter evenings.

QUENTIN CRISP

Friday
Aug052016

Self-doubt Is Part of the Creative Process

Self-doubt is part of the creative process. I hate to have it but I also realize it is part of the process. Otherwise you become complacent, which is cancerous for creativity.

CHIMAMANDA NGOZI ADICHIE

Thursday
Aug042016

The Thing About A Hero

The thing about a hero, is even when it doesn't look like there's a light at the end of the tunnel, he's going to keep digging, he's going to keep trying to do right and make up for what's gone before, just because that's who he is.

JOSS WHEDON

Wednesday
Aug032016

Follow Your Curiosity and Passion

My own best advice to young writers is: follow your curiosity and passion. What fascinates you will probably fascinate others. But, even if it doesn't, you will have devoted your life to what you love. An important corollary is that it's no use trying to write like someone else. Discover what's uniquely yours.

DIANE ACKERMAN

Tuesday
Aug022016

Write What You Know

Write what you know. Every guide for the aspiring author advises this. Because I live in a long-settled rural place, I know certain things. I know the feel of a newborn lamb's damp, tight-curled fleece and the sharp sound a well-bucket chain makes as it scrapes on stone. But more than these material things, I know the feelings that flourish in small communities. And I know other kinds of emotional truths that I believe apply across the centuries.

GERALDINE BROOKS

Monday
Aug012016

Don't Write Stage Directions

Don’t write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, telling us how the character said it, or whether or not she moved to the couch isn’t going to aid the case. We might understand better what the character means but we aren’t particularly going to care.

DAVID MAMET

Sunday
Jul312016

Never Judge Or Condemn Your Characters

I’ve always believed…that you never want to judge or condemn your characters on the page. Instead you want to reveal what they do in direct light and allow readers to come to their own conclusion. Literature isn’t about presenting a moral condemnation—rather exploring the complex feelings of human life.

ANNIE DeWITT

Saturday
Jul302016

The Secret of Good Writing

The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.

WILLIAM ZINSSER

Friday
Jul292016

Look Back Upstream

Look back upstream. If you have come to your planned ending and it doesn’t seem to be working, run your eye up the page and the page before that. You may see that your best ending is somewhere in there, that you were finished before you thought you were.

JOHN McPHEE

Thursday
Jul282016

Five Common Traits of Good Writers

Five common traits of good writers:

(1) They have something to say.

(2) They read widely and have done so since childhood.

(3) They possess what Isaac Asimov calls a “capacity for clear thought,” able to go from point to point in an orderly sequence, an A to Z approach.

(4) They’re geniuses at putting their emotions into words.

(5) They possess an insatiable curiosity, constantly asking Why and How.

JAMES J. KILPATRICK

Wednesday
Jul272016

Don't Be Pretentious

“Don't be pretentious” is my first advice to young writers. This is the big problem — just because you're getting an MFA doesn't mean you have to write for the Academy. Be true to your personality. Don't temper your personality down with words. Don't build defensive fortresses around yourself with words — words are your friends.

GARY SHTEYNGART

Tuesday
Jul262016

Make Trouble for Your Character

When in doubt, make trouble for your character. Don’t let her stand on the edge of the pool, dipping her toe. Come up behind her and give her a good hard shove. That’s my advice to you now. Make trouble for your character. In life we try to avoid trouble. We chew on our choices endlessly. We go to shrinks, we talk to our friends. In fiction, this is deadly. Protagonists need to screw up, act impulsively, have enemies, get into TROUBLE.

JANET FITCH

Monday
Jul252016

What A Story Is, Is Devious

What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes.

JOY WILLIAMS

Sunday
Jul242016

Great Themes Make Great Novels

They say great themes make great novels. That's so, of course, but what these young writers don't understand is that there is no greater theme than men and women.

JOHN O’HARA

Saturday
Jul232016

The Writer Trusts Nothing He Writes

The writer doesn't trust his enemies, of course, who are wrong about his writing, but he doesn't trust his friends, either, who he hopes are right. The writer trusts nothing he writes—it should be too reckless and alive for that, it should be beautiful and menacing and slightly out of his control. It should want to live itself somehow.

JOY WILLIAMS

Friday
Jul222016

A Story Is Like A Human Face

I’m trying to show the multiple variations of the entire life. I don’t want to be like other authors and say that there are only a few story lines in literature. A story is like a human face. We have as many stories as human faces. You might have similar facial features, but they’re all a little different.

SVETLANA ALEXIEVICH

Thursday
Jul212016

Writing Is Selection

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word? Your next sentence, paragraph, section, chapter? Your next ball of fact. You select what goes in and you decide what stays out. At base you have only one criterion: If something interests you, it goes in—if not, it stays out. That’s a crude way to assess things, but it’s all you’ve got.

JOHN McPHEE

Wednesday
Jul202016

To Write English Is Not A Science But An Art

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

GEORGE ORWELL

Tuesday
Jul192016

Be Faithful To Your Perceptions

It’s not that you get a cliché and then wiggle it about or use synonyms. You don’t take an ordinary decorative paragraph and give it style. What you’re trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There’s no objective reason why they’re right. They just sound right to me.

MARTIN AMIS

Monday
Jul182016

Inspiration Is Merely A Pretty Phrase for Work

I have learned, as has many another better writer, to summon inspiration to my call as soon as I begin my day’s stint, and not to hang around waiting for it. Inspiration is merely a pretty phrase for work. And it can be cultivated by anyone who has the patience to try. Inspiration which will not come at its possessor’s summons is like a dog that cannot be trained to obey. The sooner the both are gotten rid of, the better.

ALBERT PAYSON TERHUNE