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Recommended Books
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    A Dash of Style: The Art and Mastery of Punctuation
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  • Adventures in the Screen Trade
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  • The Art of Fiction: Illustrated from Classic and Modern Texts
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  • The Art of Fiction: Notes on Craft for Young Writers
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  • Bird by Bird: Some Instructions on Writing and Life
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  • Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
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    The Elements of Style, Fourth Edition
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    For Writers Only
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    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
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  • How Fiction Works
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    How to Get Happily Published
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  • Inventing the Truth: The Art and Craft of Memoir
    Inventing the Truth: The Art and Craft of Memoir
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    Keep the Aspidistra Flying (Harvest Book)
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    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
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    Making a Good Script Great
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    Making a Literary Life
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    Master Class: Scenes from a Fiction Workshop
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    The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
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    Henry Miller on Writing (New Directions Paperbook)
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    Movie Speak: How to Talk Like You Belong on a Movie Set
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    New Grub Street (Broadview Editions)
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    Nonconformity
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    On Becoming a Novelist
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    One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
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    On Writing Short Stories
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    On Writing: A Memoir Of The Craft
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    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
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    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
  • Poetic Meter and Poetic Form
    Poetic Meter and Poetic Form
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    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
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    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    by Francine Prose
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    The Rhetoric of Fiction
    by Wayne C. Booth
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    The Right to Write: An Invitation and Initiation into the Writing Life
    by Julia Cameron
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    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    by Renni Browne, Dave King
  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    by Dan Poynter
  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    by Kitty Burns Florey
  • The Situation and the Story: The Art of Personal Narrative
    The Situation and the Story: The Art of Personal Narrative
    by Vivian Gornick
  • The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
  • Story: Substance, Structure, Style and The Principles of Screenwriting
    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
  • Successful Television Writing
    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury

QUOTE OF THE DAY

Thursday
Jun282012

Writing is a Form of Therapy

Writing is a form of therapy; sometimes I wonder how all those, who do not write, compose, or paint can manage to escape the madness, the melancholia, the panic fear, which is inherent in the human condition.

GRAHAM GREENE

Wednesday
Jun272012

Reading is Everything

Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.

NORA EPHRON

Tuesday
Jun262012

Immaculate Syntax

Amid chaos of images, we value coherence. We believe in the printed word. And we believe in clarity. And we believe in immaculate syntax. And in the beauty of the English language.

WILLIAM SHAWN

Monday
Jun252012

Don't Overwrite

Don't overwrite. Avoid the redundant phrases, the distracting adjectives, the unnecessary adverbs. Beginners, especially, seem to think that writing fiction needs a special kind of flowery prose, completely unlike any sort of language one might encounter in day-to-day life. This is a misapprehension about how the effects of fiction are produced.

SARAH WATERS

Sunday
Jun242012

Be Ruthless About Protecting Writing Days

Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.

J.K. ROWLING

Saturday
Jun232012

Writing is About Hypnotizing Yourself

Writing is about hypnotizing yourself into believing in yourself, getting some work done, then un-hypnotizing yourself and going over the material coldly.

ANNE LAMOTT

Friday
Jun222012

Writers Take Words Seriously

Writers take words seriously—perhaps the last professional class that does—and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader.

JOHN UPDIKE

Thursday
Jun212012

Writing is Self-Hypnosis

Writing is self-hypnosis. You fall into a kind of trance if you do the same passes over and over. So I’ll get up, have some breakfast with my wife, watch CNN, then I’ll make my pot of tea and sit down and write for about 3 ½ hours.

STEPHEN KING

Wednesday
Jun202012

Do It Your Way

Write. Start writing today. Start writing right now. Don’t write it right, just write it –and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of “writing rules” and advice. Do it your way.

TARA MOSS

Tuesday
Jun192012

With Maturity the Writer Becomes More Secure

At the beginning of their careers many writers have a need to overwrite. They choose carefully turned-out phrases; they want to impress their readers with their large vocabularies. By the excesses of their language, these young men and women try to hide their sense of inexperience. With maturity the writer becomes more secure in his ideas. He finds his real tone and develops a simple and effective style.

JORGE LUIS BORGES

Monday
Jun182012

Silence, Exile, and Cunning

Whatever its psychic origins, tenacity, not to say obstinance—the cluster of qualities that James Joyce called “silence, exile and cunning”—is a valuable asset if you want to write, because it’s not easy to find your way to publication.

RICHARD RHODES

Sunday
Jun172012

Dialogue Should Be Brief

1. Dialogue should be brief.

2. It should add to the reader’s present knowledge.

3. It should eliminate the routine exchanges of ordinary conversation.

4. It should convey a sense of spontaneity but eliminate the repetitiveness of real talk.

5. It should keep the story moving forward.

6. It should be revelatory of the speaker’s character, both directly and indirectly.

7. It should show the relationships among people.

ELIZABETH BOWEN

Saturday
Jun162012

Novels Are Never About What They Are About

Novels are never about what they are about; that is, there is always deeper, or more general, significance. The author may not be aware of this till she is pretty far along with it. A novel’s whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.

DIANE JOHNSON

Friday
Jun152012

The Most Important Thing is Insight

At one time I thought the most important thing was talent. I think now that the young man or the young woman must possess or teach himself, training himself, in infinite patience, which is to try and to try until it comes right. He must train himself in ruthless intolerance—that is to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is to be—curiosity—to wonder, to mull, and to muse why it is —that man does what he does, and if you have that, then I don’t think the talent makes much difference, whether you’ve got it or not.

WILLIAM FAULKNER

Thursday
Jun142012

You Leave a Big Chunk of the Work to be Done

You leave a big chunk of the work to be done. It’s like a lot of jigsaw pieces, and the reader has got some of them and you’ve got some of them.

WILLIAM TREVOR

Wednesday
Jun132012

Work is Style

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.

DONALD HALL

Tuesday
Jun122012

Write in the Gush

The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.

WALT WHITMAN

Monday
Jun112012

There Is No Rule on How to Write

There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.

ERNEST HEMINGWAY

Sunday
Jun102012

Fiction Writers Don't Understand What They Do

Most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad.

STEPHEN KING

Saturday
Jun092012

Cross Out As Many Adjectives and Adverbs As You Can

Cross out as many adjectives and adverbs as you can. It is comprehensible when I write: “The man sat on the grass,” because it is clear and does not detain one’s attention. On the other hand, it is difficult to figure out and hard on the brain if I write: “The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully.” The brain can’t grasp all that at once, and art must be grasped at once, instantaneously.

ANTON CHEKHOV