Articles and Essays
Interviews
Blogs

Recommended Books
  • A Dash of Style: The Art and Mastery of Punctuation
    A Dash of Style: The Art and Mastery of Punctuation
    by Noah Lukeman
  • Adventures in the Screen Trade
    Adventures in the Screen Trade
    by William Goldman
  • APE: Author, Publisher, Entrepreneur-How to Publish a Book
    APE: Author, Publisher, Entrepreneur-How to Publish a Book
    by Guy Kawasaki, Shawn Welch
  • A Room of One's Own
    A Room of One's Own
    by Virginia Woolf
  • The Art of Fiction: Illustrated from Classic and Modern Texts
    The Art of Fiction: Illustrated from Classic and Modern Texts
    by David Lodge
  • The Art of Fiction: Notes on Craft for Young Writers
    The Art of Fiction: Notes on Craft for Young Writers
    by John Gardner
  • The Art of the Personal Essay: An Anthology from the Classical Era to the Present
    The Art of the Personal Essay: An Anthology from the Classical Era to the Present
    by Phillip Lopate
  • The Associated Press Stylebook 2009 (Associated Press Stylebook and Briefing on Media Law)
    The Associated Press Stylebook 2009 (Associated Press Stylebook and Briefing on Media Law)
    Basic Books
  • Aspects of the Novel
    Aspects of the Novel
    by E.M. Forster
  • Becoming a Writer
    Becoming a Writer
    by Dorothea Brande
  • Bird by Bird: Some Instructions on Writing and Life
    Bird by Bird: Some Instructions on Writing and Life
    by Anne Lamott
  • Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
    Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
    Three Rivers Press
  • Brewer's Dictionary of Phrase and Fable, Seventeenth Edition
    Brewer's Dictionary of Phrase and Fable, Seventeenth Edition
    by John Ayto
  • The Careful Writer
    The Careful Writer
    by Theodore M. Bernstein
  • The Chicago Manual of Style
    The Chicago Manual of Style
    University Of Chicago Press
  • The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications
    The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications
    by Amy Einsohn
  • The Courage to Write: How Writers Transcend Fear
    The Courage to Write: How Writers Transcend Fear
    by Ralph Keyes
  • The Craft of Fiction
    The Craft of Fiction
    by Percy Lubbock
  • The Editor's Lexicon: Essential Writing Terms for Novelists
    The Editor's Lexicon: Essential Writing Terms for Novelists
    by Sarah Cypher
  • Editors on Editing: What Writers Need to Know About What Editors Do
    Editors on Editing: What Writers Need to Know About What Editors Do
    Grove Press
  • The Elements of Style, Fourth Edition
    The Elements of Style, Fourth Edition
    by William Strunk Jr., E. B. White
  • Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    by Lawrence Grobel
  • Fiction Writer's Handbook
    Fiction Writer's Handbook
    by Hallie Burnett, Whit Burnett
  • Fiction Writer's Workshop
    Fiction Writer's Workshop
    by Josip Novakovich
  • Flaubert's Parrot
    Flaubert's Parrot
    by Julian Barnes
  • Follow the Story: How to Write Successful Nonfiction
    Follow the Story: How to Write Successful Nonfiction
    by James B. Stewart
  • The Forest for the Trees: An Editor's Advice to Writers
    The Forest for the Trees: An Editor's Advice to Writers
    by Betsy Lerner
  • For Writers Only
    For Writers Only
    by Sophy Burnham
  • William Goldman: Four Screenplays with Essays
    William Goldman: Four Screenplays with Essays
    by William Goldman
  • Fowler's Modern English Usage
    Fowler's Modern English Usage
    by the late R. W. Burchfield
  • The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
    by Norrie Epstein
  • A Glossary of Literary Terms
    A Glossary of Literary Terms
    by M.H. Abrams, Geoffrey Harpham
  • How Fiction Works
    How Fiction Works
    by James Wood
  • How Not to Write: The Essential Misrules of Grammar
    How Not to Write: The Essential Misrules of Grammar
    by William Safire
  • How to Get Happily Published
    How to Get Happily Published
    by Judith Appelbaum
  • How to Write Science Fiction and Fantasy (Genre Writing)
    How to Write Science Fiction and Fantasy (Genre Writing)
    by Orson Scott Card
  • How To Write Short Stories: With Samples
    How To Write Short Stories: With Samples
    by Ring Lardner
  • If You Want to Write: A Book about Art, Independence and Spirit
    If You Want to Write: A Book about Art, Independence and Spirit
    by Brenda Ueland
  • Inventing the Truth: The Art and Craft of Memoir
    Inventing the Truth: The Art and Craft of Memoir
    Mariner Books
  • Keep the Aspidistra Flying (Harvest Book)
    Keep the Aspidistra Flying (Harvest Book)
    by George Orwell
  • Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    by Bill Walsh
  • Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
    by Ranier Maria Rilke
  • Making a Good Script Great
    Making a Good Script Great
    by Linda Seger
  • Making a Literary Life
    Making a Literary Life
    by Carolyn See
  • Master Class: Scenes from a Fiction Workshop
    Master Class: Scenes from a Fiction Workshop
    by Paul West
  • Metaphors We Live By
    Metaphors We Live By
    by George Lakoff, Mark Johnson
  • The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
    The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
    by Alice Weaver Flaherty
  • Henry Miller on Writing (New Directions Paperbook)
    Henry Miller on Writing (New Directions Paperbook)
    by Henry Miller
  • Movie Speak: How to Talk Like You Belong on a Movie Set
    Movie Speak: How to Talk Like You Belong on a Movie Set
    by Tony Bill
  • Narrative Design: Working with Imagination, Craft, and Form
    Narrative Design: Working with Imagination, Craft, and Form
    by Madison Smartt Bell
  • New Grub Street (Broadview Editions)
    New Grub Street (Broadview Editions)
    by George Gissing
  • Nonconformity
    Nonconformity
    by Nelson Algren
  • On Becoming a Novelist
    On Becoming a Novelist
    by John Gardner
  • One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    by Eudora Welty
  • On Writing Short Stories
    On Writing Short Stories
    Oxford University Press, USA
  • On Writing: A Memoir Of The Craft
    On Writing: A Memoir Of The Craft
    by Stephen King
  • On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
    by William Zinsser
  • The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
  • Poetic Meter and Poetic Form
    Poetic Meter and Poetic Form
    by Paul Fussell
  • The Paris Review Interviews, Vols. 1-4
    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
  • Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    by Francine Prose
  • The Rhetoric of Fiction
    The Rhetoric of Fiction
    by Wayne C. Booth
  • The Right to Write: An Invitation and Initiation into the Writing Life
    The Right to Write: An Invitation and Initiation into the Writing Life
    by Julia Cameron
  • Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    by Renni Browne, Dave King
  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    by Dan Poynter
  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    by Kitty Burns Florey
  • The Situation and the Story: The Art of Personal Narrative
    The Situation and the Story: The Art of Personal Narrative
    by Vivian Gornick
  • The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
  • Story: Substance, Structure, Style and The Principles of Screenwriting
    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
  • Successful Television Writing
    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury

QUOTE OF THE DAY

Friday
Aug272010

Write About What You Know Personally

Write about what you know personally, limited though it may be. Get your facts right. Try to write a story with a beginning, a middle and an end.

FREDERICK FORSYTH

Thursday
Aug262010

The Word is Never Lacking When One Possesses the Idea

When I discover a bad assonance or a repetition in one of my phrases, I am sure that I am floundering in error; by dint of searching, I find the exact expression which was the only one and is, at the same time, the harmonious one. The word is never lacking when one possesses the idea.

GUSTAVE FLAUBERT

Wednesday
Aug252010

Writers Are Like Jealous Lovers

I want my reader to be wholly engaged, gripped rather than shocked. I'm pleased when people tell me that they sat down and read Enduring Love in one sitting. In that respect, writers are like jealous lovers: “I just want you to think of me."

IAN McEWAN

Tuesday
Aug242010

What Lasts in the Reader's Mind

What lasts in the reader’s mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what’s it doing there? Make it do its job or cut it without mercy or remorse.

ISAAC ASIMOV

Monday
Aug232010

Heaven Knows What Pains the Author has Been At

Heaven knows what pains the author has been at, what bitter experiences he has endured and what heartache suffered, to give some chance reader a few hours' relaxation or to while away the tedium of a journey.

W. SOMERSET MAUGHAM

Sunday
Aug222010

Dialogue Written in Dialect is Hard to Read

Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.

ANNE LAMOTT

Saturday
Aug212010

Don't Buy a House

The curse of all successful writers is the dream of all Americans: owning a house. Houses have ruined a lot of literary artists, more so than drugs or drink. Jack London built himself a palace and then committed suicide. Mark Twain almost went bust maintaining his Connecticut digs. …If I had one piece of advice to give to aspirant writers it would be: Don’t—don’t, don’t, don’t—under any circumstances buy a house you could not afford if you were a plumber’s assistant. Or, as a veteran Hollywood agent told me not long ago: Put your money in the bank; if you buy anything, pay cash, and if you can’t pay cash, don’t buy it.

PHILIP CAPUTO

Friday
Aug202010

Fiction Depends on Place

Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else. Fiction depends for its life on place. Place is the crossroads of circumstance, the proving ground of, What happened? Who’s here? Who’s coming?

EUDORA WELTY

Thursday
Aug192010

Lock Yourself in a Room

My block was due to two overlapping factors: laziness and lack of discipline. If you really want to write, then shut yourself in a room, close the door, and WRITE. If you don't want to write, do something else. It's as simple as that.

MARY GARDEN

Wednesday
Aug182010

Our Heroes Are Simple

Behind the complicated details of the world stand the simplicities: God is good, the grown-up man or woman knows the answer to every question, there is such a thing as truth, and justice is as measured and faultless as a clock. Our heroes are simple: they are brave, they tell the truth, they are good swordsmen and they are never in the long run really defeated. That is why no later books satisfy us like those which were read to us in childhood—for those promised a world of great simplicity of which we knew the rules, but the later books are complicated and contradictory with experience; they are formed out of our own disappointing memories.

GRAHAM GREENE

Tuesday
Aug172010

The Life of the Writer is Colorless

It should surprise no one that the life of the writer—such as it is—is colorless to the point of sensory deprivation. Many writers do little else but sit in rooms recalling the real world. This explains why so many books describe the author’s childhood. A writer’s childhood may well have been the occasion of his only firsthand experience.

ANNIE DILLARD

Monday
Aug162010

It Can Take Years

It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I’d written the story. I hadn’t—I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It’s in there somewhere—but I have to find it. I’ll then write a third, fourth, and fifth draft, and so on.

DAVID SEDARIS 

Sunday
Aug152010

Treat the English Language with Respect

I remember one English teacher in the eighth grade, Florence Schrack, whose husband also taught at the high school. I thought what she said made sense, and she parsed sentences on the blackboard and gave me, I'd like to think, some sense of English grammar and that there is a grammar, that those commas serve a purpose and that a sentence has a logic, that you can break it down. I've tried not to forget those lessons, and to treat the English language with respect as a kind of intricate tool.

JOHN UPDIKE

Saturday
Aug142010

There's No “Magic Secret”

There's no "magic secret"; writing is like everything else; ten percent inspiration or talent, and ninety percent hard work. Persistence; keeping at it till you get there. As Agnes de Mille said, it means working every day—bored, tired, weary, or with a fever of a hundred and two.

MARION ZIMMER BRADLEY

Friday
Aug132010

The Important Thing in Writing is the Capacity to Astonish

The important thing in writing is the capacity to astonish. Not shock—shock is a worn-out word—but astonish. The world has no grounds whatever for complacency. The Titanic couldn’t sink, but it did. Where you find smugness, you find something worth blasting. I want to blast it.

TERRY SOUTHERN

Thursday
Aug122010

Poetry Should be Written in the Language of Your Childhood

Occasionally, I write essays or articles in English, but I write poetry only in Polish because I feel that poetry should be written in the language of your childhood. . . . Because it’s a different, much more sensual approach to the language. You have a very intimate relationship with words which you know since your childhood.

CZESLAW MILOSZ

Wednesday
Aug112010

You Need to Start Somewhere

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper. What I’ve learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head.

ANNE LAMOTT

Tuesday
Aug102010

Collaboration is Marriage Without Sex

Collaboration is marriage without sex, and subject to many vexations. But pay no attention to them, because in one respect at least it is wonderful. The total result is frequently far more than the combined abilities of two people might give you.

GEORGE S. KAUFMAN

Monday
Aug092010

You Need to Know That the Effort is Real

If you are going to be a writer there is nothing I can say to stop you; if you're not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.

JAMES BALDWIN

Sunday
Aug082010

Write While the Heat is in You

Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled. He cannot inflame the minds of his audience.

HENRY DAVID THOREAU