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Recommended Books
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    Adventures in the Screen Trade
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  • The Art of Fiction: Illustrated from Classic and Modern Texts
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  • The Art of Fiction: Notes on Craft for Young Writers
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  • Bird by Bird: Some Instructions on Writing and Life
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  • Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
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    For Writers Only
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    William Goldman: Four Screenplays with Essays
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    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
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    Inventing the Truth: The Art and Craft of Memoir
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    Keep the Aspidistra Flying (Harvest Book)
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    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
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    Making a Literary Life
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    Master Class: Scenes from a Fiction Workshop
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    Henry Miller on Writing (New Directions Paperbook)
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    New Grub Street (Broadview Editions)
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    Nonconformity
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    On Writing: A Memoir Of The Craft
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    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
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    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
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    Poetic Meter and Poetic Form
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    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
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    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
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    The Rhetoric of Fiction
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    The Right to Write: An Invitation and Initiation into the Writing Life
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    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    by Renni Browne, Dave King
  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    by Dan Poynter
  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
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    The Situation and the Story: The Art of Personal Narrative
    by Vivian Gornick
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    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
  • Story: Substance, Structure, Style and The Principles of Screenwriting
    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
  • Successful Television Writing
    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury

QUOTE OF THE DAY

Thursday
Aug302012

Writing Is A Kind of Double Living

Writing, I think, is not apart from living. Writing is a kind of double living. The writer experiences everything twice. Once in reality and once in that mirror which waits always before or behind.

CATHERINE DRINKER BOWEN

Wednesday
Aug292012

You're Always Becoming A Writer

If you write a story today, and you get up tomorrow and start another story, all the expertise that you put into the first story doesn't transfer over automatically to the second story. You're always starting at the bottom of the mountain. So you're always becoming a writer. You're never really arriving.

EDWARD P. JONES

Tuesday
Aug282012

Writing is a Way to Talk About Yourself

Writing became a way for me to talk about myself—or a character—in a really personal, surprising manner without any embarrassment. I was brought up to be an incredibly nice person, but not everything I wanted to say was nice.

LOUISE ERDRICH

Monday
Aug272012

I Want the Reader to Turn the Page

I want the reader to turn the page and keep on turning to the end. This is accomplished only when the narrative moves steadily ahead, not when it comes to a weary standstill, overloaded with every item uncovered in the research.

BARABARA W. TUCHMAN

Sunday
Aug262012

Your Best Tools Are Short, Plain, Anglo-Saxon Verbs

Your best tools are short, plain, Anglo-Saxon verbs. I mean active verbs, not passive verbs. If you could write an article using only active verbs, your article would automatically have clarity and warmth and vigor.

WILLIAM ZINSSER

Saturday
Aug252012

Writing Fiction is Solitary but Not Lonely

Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language, making the creative process something like eavesdropping at a party for which you've had the fun of drawing up the guest list. Loneliness usually doesn't set in until the work is finished, and all the partygoers and their imagined universe have disappeared.

HILMA WOLITZER

Friday
Aug242012

Dialogue Is Easier Than Plot

It is much easier to write great dialogue (which is a talent and not really very much of an exertion) than to write great plots. So we playwrights do the next best thing to writing great plots: we write bad plots. And then we fill up the empty spaces with verbiage.

DAVID MAMET

Thursday
Aug232012

Read Like Mad

Read like mad. But try to do it analytically – which can be hard, because the better and more compelling a novel is, the less conscious you will be of its devices. It's worth trying to figure those devices out, however: they might come in useful in your own work.

SARAH WATERS

Wednesday
Aug222012

Keep A Diary

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.

JOHN BERENDT

Tuesday
Aug212012

The Important Virtue for a Writer is Self-Forgiveness

As for discipline—it's important, but sort of overrated. The more important virtue for a writer, I believe, is self-forgiveness. Because your writing will always disappoint you. Your laziness will always disappoint you.

ELIZABETH GILBERT

Monday
Aug202012

You Need A Certain Amount of Nerve to Be A Writer

You need a certain amount of nerve to be a writer, an almost physical nerve, the kind you need to walk a log across a river.

MARGARET ATWOOD

Sunday
Aug192012

The True Artist Plays Mad with His Soul

The true artist plays mad with his soul, labors at the very lip of the volcano, but remembers and clings to his purpose, which is as strong as the dream. He is not someone possessed, like Cassandra, but a passionate, easily tempted explorer who fully intends to get home again, like Odysseus.

JOHN GARDNER

Saturday
Aug182012

What the Public Wants, No One Knows

Though our publishers will tell you that they are ever seeking “original” writers, nothing could be farther from the truth. What they want is more of the same, only thinly disguised. They most certainly do not want another Faulkner, another Melville, another Thoreau, another Whitman. What the public wants, no one knows. Not even the publishers.

HENRY MILLER

Friday
Aug172012

Writing Is Not Hard

Writing is not hard. Just get paper and pencil, sit down, and write as it occurs to you. The writing is easy—it's the occurring that's hard.

STEPHEN LEACOCK

Thursday
Aug162012

There Is No Such Thing As Realistic Dialogue

There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . .  . The good dialogue writer is the one who can give you the impression of real speech.

JOSEPH L. MANKIEWICZ

Wednesday
Aug152012

Anyone Can Have A Prose Style

Anyone who puts pen to paper can have a prose style. In almost every case, that style will be quiet, sometimes so quiet as to be detectable only by you, the writer. In the quiet, you can listen to your sound in various manifestations; then you can start to shape it and develop it. That project can last as long as you keep writing, and it never gets old.

BEN YAGODA

Tuesday
Aug142012

Fear Stops Most People from Writing

If you want to write, you can. Fear stops most people from writing, not lack of talent, whatever that is. Who am I? What right have I to speak? Who will listen to me if I do? You’re a human being, with a unique story to tell, and you have every right. If you speak with passion, many of us will listen. We need stories to live, all of us. We live by story. Yours enlarges the circle.

RICHARD RHODES

Monday
Aug132012

You Have To Write

The secret to being a writer is that you have to write. It's not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.

AUGUSTEN BURROUGHS

Sunday
Aug122012

Finding Out is the Best Part of Writing

Before I begin to write I fill a notebook, jotting down everything that pops into my head about my characters and story—bits of dialogue, ideas for scenes, background information, descriptions of people and places, details and more details. But even with my notebook, I still don't know everything. For me, finding out is the best part of writing.

JUDY BLUME

Saturday
Aug112012

A Novel Begins with a Pang

The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head. And you think, “I could write a novel about this.”

MARTIN AMIS