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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 11 Feb 2012 00:41:16 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>HOME</title><subtitle>HOME</subtitle><id>http://www.advicetowriters.com/home/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.advicetowriters.com/home/"/><link rel="self" type="application/atom+xml" href="http://www.advicetowriters.com/home/atom.xml"/><updated>2012-02-10T05:15:10Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Character is the Very Life of Fiction</title><id>http://www.advicetowriters.com/home/2012/2/10/character-is-the-very-life-of-fiction.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/10/character-is-the-very-life-of-fiction.html"/><author><name>[Your Name Here]</name></author><published>2012-02-10T05:14:30Z</published><updated>2012-02-10T05:14:30Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><strong><span style="font-size: 130%;">Character is the very life of fiction. Setting exists so that the character has someplace to stand. Plot exists so the character can discover what he is really like, forcing the character to choice and action. And theme exists only to make the character stand up and be somebody.</span></strong></p>
<p><strong><span style="font-size: 130%;">JOHN GARDNER</span></strong></p>]]></content></entry><entry><title>Creativity is Paradoxical</title><id>http://www.advicetowriters.com/home/2012/2/9/creativity-is-paradoxical.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/9/creativity-is-paradoxical.html"/><author><name>[Your Name Here]</name></author><published>2012-02-09T05:16:58Z</published><updated>2012-02-09T05:16:58Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 130%;"><strong>Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.</strong></span></p>
<p><span style="font-size: 130%;"><strong>MICHAEL MICHALKO</strong></span></p>]]></content></entry><entry><title>You Can’t Wait Until You’re in the Mood</title><id>http://www.advicetowriters.com/home/2012/2/8/you-cant-wait-until-youre-in-the-mood.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/8/you-cant-wait-until-youre-in-the-mood.html"/><author><name>[Your Name Here]</name></author><published>2012-02-08T05:02:14Z</published><updated>2012-02-08T05:02:14Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 130%;"><strong>You can&rsquo;t wait to write until you&rsquo;re in the mood. My God, if you waited until you were in the mood, it would take forever. You have to sit down. The name of the game is to put it in the chair.</strong></span></p>
<p><span style="font-size: 130%;"><strong>HARRY CREWS</strong></span></p>]]></content></entry><entry><title>E.M. Forster on Plot</title><id>http://www.advicetowriters.com/home/2012/2/7/em-forster-on-plot.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/7/em-forster-on-plot.html"/><author><name>[Your Name Here]</name></author><published>2012-02-07T05:20:09Z</published><updated>2012-02-07T05:20:09Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div class="body">
<p><strong><span style="font-size: 130%;">"The king died and then the queen died" is a story. "The king died, and then the queen died of grief" is a plot...."The queen died, no one knew why, until it was discovered that it was through grief at the death of the king." This is a plot with a mystery in it, a form capable of high development.</span></strong></p>
<p><strong><span style="font-size: 130%;">E. M. FORSTER</span></strong></p>
</div>]]></content></entry><entry><title>Your Senses Must Be Razor-Sharp</title><id>http://www.advicetowriters.com/home/2012/2/6/your-senses-must-be-razor-sharp.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/6/your-senses-must-be-razor-sharp.html"/><author><name>[Your Name Here]</name></author><published>2012-02-06T05:07:46Z</published><updated>2012-02-06T05:07:46Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><strong><span style="font-size: 130%;">In order to write at a high level of competence you need a comprehensive vocabulary, a keen sense of overall structure, and an inner beat or cadence. Your senses must be razor-sharp. Alcohol blunts those senses even as it releases self-restraint. Therefore many writers feel they are getting down to the real story after a belt or two, little realizing they are damaging their ability to tell the real story.</span></strong></p>
<p><strong><span style="font-size: 130%;">RITA MAE BROWN</span></strong></p>]]></content></entry><entry><title>A Novel is an Act of Love</title><id>http://www.advicetowriters.com/home/2012/2/5/a-novel-is-an-act-of-love.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/5/a-novel-is-an-act-of-love.html"/><author><name>[Your Name Here]</name></author><published>2012-02-05T05:05:00Z</published><updated>2012-02-05T05:05:00Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 130%;"><strong>A novel is a spot where language, movement, feeling, and thought jell for a moment, through the agency of, let's say, a particular volunteer, but it is not an object or a possession. It is an act of love.</strong></span></p>
<p><span style="font-size: 130%;"><strong>JANE SMILEY</strong></span></p>]]></content></entry><entry><title>The Truth Is We Write for Love</title><id>http://www.advicetowriters.com/home/2012/2/4/the-truth-is-we-write-for-love.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/4/the-truth-is-we-write-for-love.html"/><author><name>[Your Name Here]</name></author><published>2012-02-04T06:19:26Z</published><updated>2012-02-04T06:19:26Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p class="p1"><span class="s1"><strong><span style="font-size: 130%;">Despite all the cynical things writers have said about writing for money, the truth is we write for love. That is why it is so easy to exploit us. That is also why we pretend to be hard-boiled, saying things like &ldquo;No man but a blockhead ever wrote except for money&rdquo; (Samuel Johnson). Not true. No one but a blockhead ever wrote except for love. . . . You must do it for love. If you do it for money, no money will ever be enough, and eventually you will start imitating your first successes, straining hot water through the same old teabag. It doesn&rsquo;t work with tea, and it doesn&rsquo;t work with writing.</span></strong></span></p>
<p class="p2"><strong><span style="font-size: 130%;">ERICA JONG</span></strong></p>]]></content></entry><entry><title>People Read Fiction for Emotion</title><id>http://www.advicetowriters.com/home/2012/2/3/people-read-fiction-for-emotion.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/3/people-read-fiction-for-emotion.html"/><author><name>[Your Name Here]</name></author><published>2012-02-03T05:02:59Z</published><updated>2012-02-03T05:02:59Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p class="Advice-Best"><strong><span style="font-size: 130%;">I was Sinclair Lewis's secretary-chess-opponent-chauffeur-proteg&eacute; back when I was 24, and he told me sternly that if I could be anything else be it, but if I HAD to be a writer, I might make it. He also said, as he threw away the first 75 expository pages of my first novel: &ldquo;People read fiction for emotion&mdash;not information.&rdquo;</span></strong></p>
<p class="Advice-Best"><strong><span style="font-size: 130%;">BARNABY CONRAD</span></strong></p>]]></content></entry><entry><title>Our Power is Patience</title><id>http://www.advicetowriters.com/home/2012/2/2/our-power-is-patience.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/2/our-power-is-patience.html"/><author><name>[Your Name Here]</name></author><published>2012-02-02T05:07:43Z</published><updated>2012-02-02T05:07:43Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div class="body">
<p><strong><span style="font-size: 130%;">Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.</span></strong></p>
<p><span style="font-size: 130%;"><strong>KURT VONNEGU</strong><strong>T</strong></span></p>
</div>]]></content></entry><entry><title>Any Fiction Should Be A Story</title><id>http://www.advicetowriters.com/home/2012/2/1/any-fiction-should-be-a-story.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/home/2012/2/1/any-fiction-should-be-a-story.html"/><author><name>[Your Name Here]</name></author><published>2012-02-01T05:23:16Z</published><updated>2012-02-01T05:23:16Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 130%;"><strong>Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn&rsquo;t a story.</strong></span></p>
<p><span style="font-size: 130%;"><strong>MALCOLM COWLEY</strong></span></p>]]></content></entry></feed>
