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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 11 Feb 2012 01:59:21 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Style</title><subtitle>Style</subtitle><id>http://www.advicetowriters.com/style/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.advicetowriters.com/style/"/><link rel="self" type="application/atom+xml" href="http://www.advicetowriters.com/style/atom.xml"/><updated>2009-08-08T06:02:58Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Style</title><id>http://www.advicetowriters.com/style/2009/8/8/style.html</id><link rel="alternate" type="text/html" href="http://www.advicetowriters.com/style/2009/8/8/style.html"/><author><name>[Your Name Here]</name></author><published>2009-08-08T05:12:23Z</published><updated>2009-08-08T05:12:23Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>&nbsp;</p>
<p><span style="font-size: 110%;"><strong>A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate.</strong></span></p>
<p><span style="font-size: 110%;"><strong>ARISTOTLE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Don&rsquo;t say you were a bit confused and sort of tired and a little depressed and somewhat annoyed. Be tired. Be confused. Be depressed. Be annoyed. Don&rsquo;t hedge your prose with little timidities. Good writing is lean and confident.</strong></span></p>
<p><span style="font-size: 110%;"><strong>WILLIAM ZINSSER</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Carefully examined, a good--an interesting--style will be found to consist in a constant succession of tiny, unobservable surprises.</strong></span></p>
<p><span style="font-size: 110%;"><strong>FORD MADDOX FORD</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK244">A good style should show no sign of effort. What is written should seem a happy accident.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>W. SOMERSET MAUGHAM<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK114">A strict and succinct style is that, where you can take away nothing with&shy;out loss, and that loss to be manifest.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>BEN JONSON<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>The hardest thing about writing, in a sense, is not writing. I mean, the sentence is not intended to show you off, you know. It is not supposed to be &ldquo;look at me!&rdquo; &ldquo;Look, no hands!&rdquo; It&rsquo;s supposed to be a pipeline between the reader and you. Once condition of the sentence is to write so well that no one notices that you&rsquo;re writing.</strong></span></p>
<p><span style="font-size: 110%;"><strong>JAMES BALDWIN</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK153">The greatest possible mint of style is to make the words absolutely disappear into the thought.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>NATHANIEL HAWTHORNE<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK28">When you say something, make sure you have said it. The chances of your having said it are only fair.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>E.B. WHITE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>I am well aware that an addiction to silk underwear does not necessarily imply that one's feet are dirty. Nonetheless, style, like sheer silk, too often hides eczema.</strong></span></p>
<p><span style="font-size: 110%;"><strong>ALBERT CAMUS<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>It was from Handel that I learned that style consists in force of assertion. If you can say a thing with one stroke, unanswerably you have style; if not, you are at best a <em>marchande de plaisir</em>, a decorative litterateur, or a musical confectioner, or a painter of fans with cupids and coquettes. Handel had power.</strong></span></p>
<p><span style="font-size: 110%;"><strong>GEORGE BERNARD SHAW</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>]]></content></entry></feed>
