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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 11 Feb 2012 01:58:17 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Style</title><link>http://www.advicetowriters.com/style/</link><description></description><lastBuildDate>Sat, 08 Aug 2009 06:02:58 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Style</title><dc:creator>[Your Name Here]</dc:creator><pubDate>Sat, 08 Aug 2009 05:12:23 +0000</pubDate><link>http://www.advicetowriters.com/style/2009/8/8/style.html</link><guid isPermaLink="false">393820:4483528:4844058</guid><description><![CDATA[<p>&nbsp;</p>
<p><span style="font-size: 110%;"><strong>A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate.</strong></span></p>
<p><span style="font-size: 110%;"><strong>ARISTOTLE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Don&rsquo;t say you were a bit confused and sort of tired and a little depressed and somewhat annoyed. Be tired. Be confused. Be depressed. Be annoyed. Don&rsquo;t hedge your prose with little timidities. Good writing is lean and confident.</strong></span></p>
<p><span style="font-size: 110%;"><strong>WILLIAM ZINSSER</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>Carefully examined, a good--an interesting--style will be found to consist in a constant succession of tiny, unobservable surprises.</strong></span></p>
<p><span style="font-size: 110%;"><strong>FORD MADDOX FORD</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK244">A good style should show no sign of effort. What is written should seem a happy accident.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>W. SOMERSET MAUGHAM<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK114">A strict and succinct style is that, where you can take away nothing with&shy;out loss, and that loss to be manifest.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>BEN JONSON<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>The hardest thing about writing, in a sense, is not writing. I mean, the sentence is not intended to show you off, you know. It is not supposed to be &ldquo;look at me!&rdquo; &ldquo;Look, no hands!&rdquo; It&rsquo;s supposed to be a pipeline between the reader and you. Once condition of the sentence is to write so well that no one notices that you&rsquo;re writing.</strong></span></p>
<p><span style="font-size: 110%;"><strong>JAMES BALDWIN</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK153">The greatest possible mint of style is to make the words absolutely disappear into the thought.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>NATHANIEL HAWTHORNE<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong><a name="OLE_LINK28">When you say something, make sure you have said it. The chances of your having said it are only fair.</a></strong></span></p>
<p><span style="font-size: 110%;"><strong>E.B. WHITE</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>I am well aware that an addiction to silk underwear does not necessarily imply that one's feet are dirty. Nonetheless, style, like sheer silk, too often hides eczema.</strong></span></p>
<p><span style="font-size: 110%;"><strong>ALBERT CAMUS<br /></strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>It was from Handel that I learned that style consists in force of assertion. If you can say a thing with one stroke, unanswerably you have style; if not, you are at best a <em>marchande de plaisir</em>, a decorative litterateur, or a musical confectioner, or a painter of fans with cupids and coquettes. Handel had power.</strong></span></p>
<p><span style="font-size: 110%;"><strong>GEORGE BERNARD SHAW</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>
<p><span style="font-size: 110%;"><strong>&nbsp;</strong></span></p>]]></description><wfw:commentRss>http://www.advicetowriters.com/style/rss-comments-entry-4844058.xml</wfw:commentRss></item></channel></rss>
