Most of my friends who are novelists have told me that they never know the end of their novels when they start writing them; they find it peculiar that for my novels I need to know, and I need to know not just the ending, but every significant event in the main characters’ lives. When I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it; rather, I am remembering a story that has already happened. The invention is over by the time I begin. All I want to be thinking of is the language—the sentence I am writing, and the sentence that follows it. Just the language.