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Recommended Books
  • A Dash of Style: The Art and Mastery of Punctuation
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  • APE: Author, Publisher, Entrepreneur-How to Publish a Book
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  • A Room of One's Own
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  • The Art of Fiction: Illustrated from Classic and Modern Texts
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  • The Art of Fiction: Notes on Craft for Young Writers
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  • The Art of the Personal Essay: An Anthology from the Classical Era to the Present
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  • Aspects of the Novel
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  • Becoming a Writer
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  • Bird by Bird: Some Instructions on Writing and Life
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  • Booknotes: America's Finest Authors on Reading, Writing, and the Power of Ideas
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  • The Careful Writer
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  • The Chicago Manual of Style
    The Chicago Manual of Style
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    The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications
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  • The Courage to Write: How Writers Transcend Fear
    The Courage to Write: How Writers Transcend Fear
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  • The Craft of Fiction
    The Craft of Fiction
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    The Editor's Lexicon: Essential Writing Terms for Novelists
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  • The Elements of Style, Fourth Edition
    The Elements of Style, Fourth Edition
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    Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
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  • Fiction Writer's Handbook
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    Fiction Writer's Workshop
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  • Flaubert's Parrot
    Flaubert's Parrot
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    Follow the Story: How to Write Successful Nonfiction
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  • The Forest for the Trees: An Editor's Advice to Writers
    The Forest for the Trees: An Editor's Advice to Writers
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    For Writers Only
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    William Goldman: Four Screenplays with Essays
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  • Fowler's Modern English Usage
    Fowler's Modern English Usage
    by the late R. W. Burchfield
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    The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard
    by Norrie Epstein
  • A Glossary of Literary Terms
    A Glossary of Literary Terms
    by M.H. Abrams, Geoffrey Harpham
  • How Fiction Works
    How Fiction Works
    by James Wood
  • How Not to Write: The Essential Misrules of Grammar
    How Not to Write: The Essential Misrules of Grammar
    by William Safire
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    How to Get Happily Published
    by Judith Appelbaum
  • How to Write Science Fiction and Fantasy (Genre Writing)
    How to Write Science Fiction and Fantasy (Genre Writing)
    by Orson Scott Card
  • How To Write Short Stories: With Samples
    How To Write Short Stories: With Samples
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  • If You Want to Write: A Book about Art, Independence and Spirit
    If You Want to Write: A Book about Art, Independence and Spirit
    by Brenda Ueland
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    Inventing the Truth: The Art and Craft of Memoir
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  • Keep the Aspidistra Flying (Harvest Book)
    Keep the Aspidistra Flying (Harvest Book)
    by George Orwell
  • Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them
    by Bill Walsh
  • Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
    Letters to a Young Poet: Translated and with a Foreword By Stephen Mitchell
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    Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process
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    Making a Literary Life
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    Master Class: Scenes from a Fiction Workshop
    by Paul West
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    Metaphors We Live By
    by George Lakoff, Mark Johnson
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    The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
    by Alice Weaver Flaherty
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    Henry Miller on Writing (New Directions Paperbook)
    by Henry Miller
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    Movie Speak: How to Talk Like You Belong on a Movie Set
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    Narrative Design: Working with Imagination, Craft, and Form
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    New Grub Street (Broadview Editions)
    by George Gissing
  • Nonconformity
    Nonconformity
    by Nelson Algren
  • On Becoming a Novelist
    On Becoming a Novelist
    by John Gardner
  • One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    One Writer's Beginnings (The William E. Massey Sr. Lectures in the History of American Civilization)
    by Eudora Welty
  • On Writing Short Stories
    On Writing Short Stories
    Oxford University Press, USA
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    On Writing: A Memoir Of The Craft
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    On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction
    by William Zinsser
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    The Oxford Dictionary of Allusions (Oxford Paperback Reference)
    Oxford University Press, USA
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    Poetic Meter and Poetic Form
    by Paul Fussell
  • The Paris Review Interviews, Vols. 1-4
    The Paris Review Interviews, Vols. 1-4
    by The Paris Review
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    Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)
    by Francine Prose
  • The Rhetoric of Fiction
    The Rhetoric of Fiction
    by Wayne C. Booth
  • The Right to Write: An Invitation and Initiation into the Writing Life
    The Right to Write: An Invitation and Initiation into the Writing Life
    by Julia Cameron
  • Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
    by Renni Browne, Dave King
  • Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    Dan Poynter's Self-Publishing Manual, 16th Edition: How to Write, Print and Sell Your Own Book (Self Publishing Manual)
    by Dan Poynter
  • Simple & Direct
    Simple & Direct
    by Jacques Barzun
  • Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences
    by Kitty Burns Florey
  • The Situation and the Story: The Art of Personal Narrative
    The Situation and the Story: The Art of Personal Narrative
    by Vivian Gornick
  • The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    The Sound on the Page: Great Writers Talk about Style and Voice in Writing
    by Ben Yagoda
  • Story: Substance, Structure, Style and The Principles of Screenwriting
    Story: Substance, Structure, Style and The Principles of Screenwriting
    by Robert Mckee
  • Stylish Academic Writing
    Stylish Academic Writing
    by Helen Sword
  • Successful Television Writing
    Successful Television Writing
    by Lee Goldberg, William Rabkin
  • The Summing Up
    The Summing Up
    by W. Somerset Maugham
  • 13 Ways of Looking at the Novel
    13 Ways of Looking at the Novel
    by Jane Smiley
  • Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    Tales from the Script: 50 Hollywood Screenwriters Share Their Stories
    by Peter Hanson, Paul Robert Herman
  • To Show and to Tell: The Craft of Literary Nonfiction
    To Show and to Tell: The Craft of Literary Nonfiction
    by Phillip Lopate
  • What If? Writing Exercises for Fiction Writers
    What If? Writing Exercises for Fiction Writers
    by Anne Bernays, Pamela Painter
  • Understanding Comics: The Invisible Art
    Understanding Comics: The Invisible Art
    by Scott Mccloud
  • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
    by Steven Pressfield
  • Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do
    Plume
  • Women Writers at Work: The Paris Review Interviews
    Women Writers at Work: The Paris Review Interviews
    Modern Library
  • The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
    by Brooke A. Wharton
  • Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    Ambrose Bierce's Write It Right: The Celebrated Cynic's Language Peeves Deciphered, Appraised, and Annotated for 21st-Century Readers
    by Ambrose Bierce, Jan Freeman
  • The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library)
    Modern Library
  • The Writers Journey: Mythic Structure for Writers, 3rd Edition
    The Writers Journey: Mythic Structure for Writers, 3rd Edition
    by Christopher Vogler
  • The Writer on Her Work, Volume 1
    The Writer on Her Work, Volume 1
    by Janet Sternberg
  • The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    The Writer's Legal Companion: The Complete Handbook For The Working Writer, Third Edition
    by Brad Bunnin, Peter Beren
  • A Writer's Reality
    A Writer's Reality
    by Mario Vargas Llosa
  • A Writer's Time: Making the Time to Write
    A Writer's Time: Making the Time to Write
    by Kenneth Atchity
  • Writing About Your Life: A Journey into the Past
    Writing About Your Life: A Journey into the Past
    by William Zinsser
  • Writing Down the Bones: Freeing the Writer Within (Paperback)
    Writing Down the Bones: Freeing the Writer Within (Paperback)
    by Natalie Goldberg (Author)
  • Writing in General and the Short Story in Particular
    Writing in General and the Short Story in Particular
    by L. Rust Hills
  • Writing for Your Life
    Writing for Your Life
    by Deena Metzger
  • The Writing Life: Writers On How They Think And Work
    The Writing Life: Writers On How They Think And Work
    by Marie Arana
  • The Writing Life
    The Writing Life
    by Annie Dillard
  • The Writing of Fiction
    The Writing of Fiction
    by Edith Wharton
  • Writing the Novel: From Plot to Print
    Writing the Novel: From Plot to Print
    by Lawrence Block
  • Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
    by Bonnie Friedman
  • You're a Genius All the Time: Belief and Technique for Modern Prose
    You're a Genius All the Time: Belief and Technique for Modern Prose
    by Regina Weinreich, Jack Kerouac
  • Zen in the Art of Writing: Releasing the Creative Genius Within You
    Zen in the Art of Writing: Releasing the Creative Genius Within You
    by Ray Bradbury
  • Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives
    by Lawrence Grobel

QUOTE OF THE DAY

Sunday
Oct212018

What Could Be Stranger Than Writing?

People like ourselves may see nothing wondrous in writing, but our anthropologists know how strange and magical it appears to a purely oral people—a conversation with no one and yet with everyone. What could be stranger than the silence one encounters when addressing a question to a text? What could be more metaphysically puzzling than addressing an unseen audience, as every writer of books must do? And correcting oneself because one knows that an unknown reader will disapprove or misunderstand?

NEIL POSTMAN

Saturday
Oct202018

Ignore the Literary Critics

Ignore the literary critics. Ignore the commercial hustlers. Disregard those best-selling paperbacks with embossed covers in the supermarkets and the supermarket bookstores. Waste no time applying for gifts and grants—when we want money from the rich we'll take it by force.

EDWARD ABBEY

Friday
Oct192018

Keep Your Bones in Good Motion

Keep your bones in good motion, kid, and quietly consume and digest what is necessary. I think it is not so much important to build a literary thing as it is not to hurt things. I think it is important to be quiet and in love with park benches; solve whole areas of pain by walking across a rug.

CHARLES BUKOWSKI in a letter to John William Corrington (1963)

Thursday
Oct182018

Words Are to Be Taken Seriously

Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I’ve seen them doing it. Words set up atmospheres, electrical fields, charges. I’ve felt them doing it. Words conjure. I try not to be careless about what I utter, write, sing. I’m careful about what I give voice to.

TONI CADE BAMBARA

Wednesday
Oct172018

You Have to Write

In my mind, only one inviolable precept exists in terms of being a successful writer: you have to write. The unspoken sub-laws of that one precept are: to write, you must start writing and then finish writing. And then, most likely, start writing all over again because this writing “thing” is one long and endless ride on a really weird (but pretty awesome) carousel. Cue the calliope music.

CHUCK WENDIG

Tuesday
Oct162018

There's a Sureness to Good Writing

There's a sureness to good writing even when what's being written about doesn't make all that much sense. It's the sureness of the so-called seat of an accomplished horseback rider or a sailor coming about in a strong wind. The words have both muscle and grace, familiarity and surprise. If forced to choose one writer of the 20th century who has these qualities most abundantly, I would name Vladimir Nabokov, who makes me want to take back everything I said about adjectives, except that each of his is chosen as carefully as an engagement ring: "On her brown shoulder, a raised purple-pink swelling (the work of some gnat) which I eased of its beautiful transparent poison between my long thumbnails and then sucked till I was gorged on her spicy blood."

ANNE BERNAYS

Monday
Oct152018

Think of What You Skip

Think of what you skip reading a novel: thick paragraphs of prose you can see have too many words in them. What the writer is doing, he's writing, perpetrating hooptedoodle, perhaps taking another shot at the weather, or has gone into the character's head, and the reader either knows what the guy's thinking or doesn't care. I'll bet you don't skip dialogue.

ELMORE LEONARD

Sunday
Oct142018

Sequential Causality

Sequential causality is generally considered to be very important in plotting. It is often thought to be the difference between a simple story, which just presents events as arranged in their time sequence, and a true plot, in which one scene prepares for and leads into and causes the scene that comes after it.

RUST HILLS

Saturday
Oct132018

Face It in the Morning

Sometimes you can lick an especially hard problem by facing it always the very first thing in the morning with the very freshest part of your mind. This has so often worked with me that I have an uncanny faith in it.

F. SCOTT FITZGERALD

Friday
Oct122018

You Must Read Everything

You must read everything, and you must let it all the way into your life, all the way into the part of you that makes writing, and you must let every good thing in — none of this reading a few lines of so-and-so with the hope that you might write something that sounds like it.

SARAH MANGUSO

Thursday
Oct112018

The Writing Trades

This is what I find most encouraging about the writing trades: They allow mediocre people who are patient and industrious to revise their stupidity, to edit themselves into something like intelligence. They also allow lunatics to seem saner than sane.

KURT VONNEGUT

Wednesday
Oct102018

Writing Is Selection

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word? Your next sentence, paragraph, section, chapter? Your next ball of fact. You select what goes in and you decide what stays out. At base you have only one criterion: If something interests you, it goes in—if not, it stays out. That’s a crude way to assess things, but it’s all you’ve got.

JOHN McPHEE

Tuesday
Oct092018

We Must Not Be Defeated

There is, I hope, a thesis in my work: we may encounter many defeats, but we must not be defeated. That sounds goody-two-shoes, I know, but I believe that a diamond is the result of extreme pressure and time. Less time is crystal. Less than that is coal. Less than that is fossilized leaves. Less than that it’s just plain dirt. In all my work, in the movies I write, the lyrics, the poetry, the prose, the essays, I am saying that we may encounter many defeats—maybe it’s imperative that we encounter the defeats—but we are much stronger than we appear to be and maybe much better than we allow ourselves to be. 

MAYA ANGELOU

Monday
Oct082018

You Need to Know That the Effort is Real

If you are going to be a writer there is nothing I can say to stop you; if you're not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.

JAMES BALDWIN

Sunday
Oct072018

Screenwriting Is a Horse Race Without a Finish Line

A guy much smarter than I once described [screenwriting] as a horse race without a finish line. Just because you wanna do it doesn’t mean you’re gonna get to do it. However, if you are really talented, you are so separated from the overwhelming majority of the people who are trying to do it that I think you’ll get noticed. It may take a few times. Rejection is as much a part of this as physical fitness is part of being a Marine. If you’re not prepared to do a lot of push-ups, don’t enlist in the Marines. If you’re not prepared to be rejected, don’t try to write films.

PETER HYAMS

Saturday
Oct062018

Forget Yourself

Develop an interest in life as you see it; the people, things, literature, music—the world is so rich, simply throbbing with rich treasures, beautiful souls, and interesting people. Forget yourself.

HENRY MILLER

Friday
Oct052018

The Hardest Thing with Writing

The hardest thing with writing is to make it look effortless. It’s true of everything that’s done well. People see a performer or an artist or a carpenter and they think, Well, that looks easy. Little do they know.

DAVID McCULLOUGH

Thursday
Oct042018

Planning to Write Is Not Writing

Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.

E.L. DOCTOROW

Wednesday
Oct032018

The Useless Days Will Add Up to Something

The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming.

CHERYL STRAYED

Tuesday
Oct022018

Be Ruthless About Protecting Writing Days

Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.

J.K. ROWLING